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(Works without links are either on rental or in preparation. Please contact us for details.)
| Again | Opera: 4 singers and chamber ensemble | 10′ |
| Ahab Symphony | Tenor, Chorus (SATB) and Orchestra | 28′ |
| Another Sunrise | Soprano, Clarinet, Violin, Violoncello, Bass and Piano | |
| At the Statue of Venus | Sop & Pno. | 25′ |
| At the Statue of Venus | Soprano and Chamber Orchestra: Oboe (EH), Sax (Sop., Alto and Flute), Clar. in A, Perc (1), Pno., 3 Violins, Cello, Cb. | 25′ |
| Before the Storm | Mezzo, Vc. & Pno. | |
| The Breaking Waves | Mezzo-Soprano and Piano | |
| Camille Claudel: Into the Fire | Mezzo-Soprano and Orchestra: 1111 4220 T P(2) Hp Stgs | 30′ |
| Camille Claudel: Into the Fire | Mezzo-Soprano and String Quartet | 30′ |
| Camille Claudel: Into the Fire | Mezzo-Soprano and Piano | 30′ |
| Trois Chansons de Bilitis | Mezzo-Soprano and String Quartet | |
| Trois Chansons de Bilitis | Mezzo-Soprano, Flute, Harp and String Quartet | |
| Cut Time | Variations for piano and chamber orchestra | 12′ |
| Dead Man Walking | Opera in 2 acts | |
| The Deepest Desire | Mezzo, Flute, and Piano | 18′ |
| The Deepest Desire | Mezzo with chamber orchestra (2-2-2-2, 2-2-0-0, perc, pno, strings). | 18′ |
| Earthrise | Musical Saw and String Quartet | 10′ |
| End of the Affair | 1111 1110 perc pno hp stgs | |
| Facing Forward/Looking Back | 2 Women and Piano | |
| Faith Disquiet | SATB a cappella | |
| Farewell, Auschwitz | Sop., Mezzo-sop., Bar., Cl. Vn. Vc. Cb. and Pno. | 25′ |
| Final Monologue (from Master Class) | Soprano (or Lyric Mezzo) and Piano | |
| Flute Concerto: Fury of Light | Solo Flute 2(picc.)022 2110 Perc(1) Hp Stgs | 16′ |
| For a Look or a Touch | Actor, Baritone, Men’s Chorus, Flute, Clarinet, Percussion, Piano, Violin, Violoncello | 40′ |
| For a Look or a Touch | actor, baritone, fl cl vn vc pno | 40′ |
| For a Look or a Touch (song cycle) | baritone, fl cl vn vc pno | 20′ |
| Friendly Persuasions | Ten. Fl Ob VC Hpsch | |
| From the Book of Nightmares | Soprano, Violoncello and Piano | 15′ |
| Full Circle 50 | Flute, Violincello and Piano | 11′ |
| Fury of Light | Flute and Piano | 16′ |
| Great Scott | Opera in 2 Acts | |
| Grow Old Along With Me | Bar. & Pno. | |
| He Will Gather Us Around (from Dead Man Walking) | Mezzo-soprano, Soprano, Children’s Chorus and Piano | |
| He Will Gather Us Around (from Dead Man Walking) | SATB a capella | |
| Here and Gone | Tenor, Baritone, Vn., Va., Vc., Pno. | |
| here/after book 1 | Soprano/Mezzo-Soprano and Piano | |
| here/after book 2 | Tenor/Baritone and Piano | |
| Holy the Firm | Cello and Orchestra | 23′ |
| How Well I Knew the Light | Sop. & Pno. | |
| A Hundred Thousand Stars | Men’s Chorus and Piano (or chamber ensemble) | 6′ |
| I Shall Not Live in Vain | Mezzo, Girls Chorus (SA), Bells and Piano | |
| Iconic Legacies: First Ladies at the Smithsonian | Mezzo-Soprano and Piano | 15′ |
| If I Were You | Opera in Two Acts | |
| In Our House | Sop. Bar. and Chamber Ensemble (Fl Perc Pano Stg Qt.) | 6′ |
| Intonations: Songs from the Violins of Hope | Mezzo-soprano, Solo Violin, Youth Solo Violin and String Quartet | 35′ |
| It’s a Wonderful Life | Opera in 2 Acts | |
| A Lucky Child | Soprano (or Lyric Mezzo) and Piano | |
| Meditation: The Slow Seconds | 2 Violins and Piano | 4′ |
| Moby-Dick | Opera in two Acts | |
| Moby-Dick Suite | Orchestra | 28′ |
| The Moon is a Mirror | Bar. & Pno. | |
| Newer Every Day | Soprano and Piano | 12′ |
| Newer Every Day | Soprano and Orchestra: 1121 1110 Hp Stgs | 12′ |
| An Ode to Image | Soprano and Piano | |
| Of Laughter and Farewell | Two songs for Baritone (or Tenor) and Piano | |
| On the Road to Christmas | Mezzo-soprano and strings | 15′ |
| Opera Aria Collections | 4 collections, by voice type, of the most popular arias from Heggie’s operas | |
| Orcas Island Ferry | Violin (Viola) and Piano | |
| Overture | String Orchestra | 6′ |
| The Other, Other Woman | Voice and Piano | |
| Passing By | Voice and Piano | |
| Patterns | Mezzo, Chorus (SSAA) and Piano | |
| Pieces of 9/11 | Soprano, Girl Soprano, Baritone and Piano | |
| A Question of Light | Baritone and Piano | |
| Rise and Fall | Sop. & Pno. | |
| Robert Schumann | Mezzo-Soprano, Baritone and Piano | |
| Seeking Higher Ground | Double Chorus and Orch. | |
| Sitting, just sitting | Mezzo-soprano and Piano | |
| Six Christmas Traditions | SATB Chorus, Flute, Oboe, and Piano | |
| Soliloquy | Flute and Piano | 5′ |
| Some Times of Day | Mezzo, Vn., Vc., Pno. | |
| Songs and Sonnets to Ophelia | Soprano and Piano | |
| Songs for Murdered Sisters | Baritone and Orchestra (also piano versions, for baritone, mezzo and high voice) | 28′ |
| The Starry Night | Mezzo and piano | |
| Statuesque | Mezzo, Fl, Cl, Alto Sx., Vn, Vc, Bs, pno. | 20′ |
| Stop this day and Night | Choir (SATBBB) unaccompanied | |
| The Radio Hour | Choral Opera in One Act: For Chamber Choir and Silent Actress with Flute, Clarinet, Saxophone, Violin, Violoncello, Contrabass, Percussion and Piano | |
| The Work at Hand | Mezzo-Soprano, Violoncello and Orchestra | 18′ |
| These Strangers | Soprano (or Mezzo-Soprano) and Piano | 10′ |
| Three Decembers | Opera in two acts | |
| To Hell and Back | 2 Sop 221 2 Perc (1) Hpscd Stgs | 60′ |
| To Say Before Going to Sleep | Soprano (or Lyric Mezzo) and Piano | |
| Two Remain (Out of Darkness) | Opera in Two Acts | |
| Vanity (blah blah me) (from Seven Deadly Sins) | Mezzo, Cl., Perc., Vc., Cb., Pno. | |
| What Do You Remember About Dad? (from Three Decembers) | Soprano, Baritone and Piano | |
| What I Miss the Most | Mezzo-Soprano and Piano | 14′ |
| Winter Roses | Fl, Ob, Cl, Bn., Hn, Pno, Stg. Quintet |
