With music and concept by Laura Kaminsky, libretto by Mark Campbell and Kimberly Reed, the opera As One was given its premiere by American Opera Projects at the BAM Fisher Theater in September of 2014. The production featured a film by Kimberly Reed, and was universally praised for its honesty and originality.

A rich addition to the repertoire … formidable on all fronts … As One is everything that we hope for in contemporary opera: topical, poignant, daring, and beautifully written.”
– New York Classical Review

“Artistically distinguished, socially important … says so much with relatively modest means.”


As One, … satisfies in an entertaining and delicately moving way.”
– New York Observer

A piece that haunts and challenges its audience with questions about identity, authenticity, compassion and the human desire for self-love and peace.”
– Opera News

As One forces you to think, simultaneously challenging preconceptions and inspiring empathy…[with] winning humor and a satisfying emotional arc.”
– The New York Times

“Perfect Boy” from As One [excerpt] from American Opera Projects on Vimeo.


Mezzo-Soprano, Baritone, String Quartet (requires a conductor, who plays a small role in the piece).


Purchase a Piano/vocal | Purchase a Full Score |Order the CD

Kaminsky AS ONE (piano-vocal score)       Kaminsky AS ONE (piano-vocal score)

Download the libretto   View a perusal score online

For additional information, visit the AS ONE website here.


To obtain a quote on licensing As One for performance, please fill out a request here.

Opera News Interview with Laura Kaminsky on Premiere of Musical Opera As One

Mezzo soprano Sasha Cooke and Baritone Kelly Markgraf share the role of “Hannah,” the transgender protagonist in “As One”

Kaminsky One of Eight Recipients of Opera America’s Grant for Female Composers

“A Christmas Story” [excerpt] from As One from American Opera Projects on Vimeo.

“Out of Nowhere” [excerpt] from As one from American Opera Projects on Vimeo.


  1. World Premiere: American Opera Projects; Brooklyn Academy of Music, Sept. 2014
  2. Caine College of the Arts, Utah State University, April 2015
  3. West Edge Opera, Oakland Metro Opera House, July-August 2015
  4. UrbanArias, Atlas Center for the Performing Arts, October 2015
  5. International Opera Projects, Ballsaal Studio, Berlin Germany, July 2016
  6. Seattle Opera, November 2016
  7. Pittsburgh Opera, February 2017
  8. Opera Colorado, March 2017
  9. Long Beach Opera, May 2017
  10. New Orleans Opera, June 2017
  11. San Diego Opera, Nov. 2017
  12. Chicago Fringe Opera, Nov. 2017
  13. Des Moines Metro Opera, Nov. 2017
  14. Lyric Opera of Kansas City, January 2018
  15. Boston Opera Collaborative, January 2018
  16. Hawaii Opera Theatre, January 2018
  17. Anchorage Opera, February 2018
  18. Skylark Opera Theater, March 2018
  19. AEPEX Contemporary Performance, April 2018
  20. Opera on the Avalon, May-June 2018
  21. Cincinnati Opera, July 2018
  22. Chautauqua Opera, August 2018
  23. Peabody Opera, Nov. 2018
  24. Alamo City Opera, Jan. 2019
  25. Portland Opera, March 2019
  26. Opera Idaho, May 2019
  27. Eugene Opera, May 2019
  28. Merkin Concert Hall/American Opera Projects/New York City Opera, May/June 2019
  29. Opera Memphis, August 2019
  30. Bay Chamber Concerts, August 2019
  31. Boston University, October 2019
  32. Alchemical Studios (NYC), November 2019
  33. Opera Columbus, November 2019
  34. Pensacola Opera, November 2019
  35. EarSpace, Feb. 2020
  36. Gertrude Opera (Australia), Feb. 2020
  37. Shenandoah Conservatory, April 2020
  38. University of South Carolina, April 2020
  39. Teatro Espanol, Madrid, Sept.-Oct. 2020
  40. Utomjordiska, October 2020
  41. Orchestre Classique de Montreal, November 2020
  42. Servicios Especializados en Distribucion Artistica, Madrid, March 2021
  43. University of Kansas, April 2021
  44. Opera Orlando, May 2021
  45. Painted Sky Opera, May 2021
  46. Opera Maine, July 2021
  47. Lontano Trust, London Premiere, Sept. 2021
  48. Festival of New American Music, Nov. 2021
  49. Lowell Chamber Orchestra, Nov. 2021
  50. Opera Santa Barbara, March 2022
  51. Opera Steamboat, October 2022


Denver Post, 2/25/2017

“As One” is the hottest title in opera right now, at least among the titles written in the last 100 years. The musical tale of a transgender woman’s personal evolution is somehow right on time–an accomplished bit of art-making, with considerable entertainment value, that thrusts itself smack into the current political and social discourse.

It’s in Denver this week week. Pittsburgh last. Seattle produced it in November and folks in New Orleans and Los Angeles get to hear it this spring. The chamber piece, which premiered at the Brooklyn Academy of Music in late 2014, has a rare vitality in a business where new works–including the good ones–have to fight for even a second show.

Opera companies love it. One reason is that it’s relatively inexpensive to present: no chorus, orchestra or big sets. Composer Laura Kaminsky’s creation has just two singers, a string quartet and a couple of temporary screens that show films in the background.

But that’s why audiences seem to like it, too. It’s intimate. All the complaints so frequently lodged against the art form–that it can be distant, formal and out-of-touch, aren’t a factor for “As One.” Nor is length; it clocks in at just 75 minutes.

December 19, 2014 – Excellence in Opera (“Freddie”) Award

December 18, 2014Slate
The Uses of “Trans” in Art

October 2, 2014 – GAY CITY NEWS
Opera review: “New Starts”

September 11, 2014 – OUT MAGAZINE
Opera review: “A Transgender Woman’s Operatic Path to Self-Acceptance”

September 10, 2014 – NY OBSERVER
Opera review: “An Emotional Before-and-After Opera of Gender Transformation Premieres at BAM”

September 9, 2014 – Q ON STAGE
Opera review: “Magnificent ‘As One'”

September 9, 2014 – THE FILM EXPERIENCE
Opera review: “Stage Door: ‘As One’ by Kimberly Reed”

September 2014 – OPERA NEWS
Opera review: “As One BROOKLYN American Opera Projects”

September 5, 2014 – THE NEW YORK TIMES
Opera review: “The Arc of a Transgender Life”

Opera review: “Kaminsky’s transgender opera “As One” makes a poignant and remarkable premiere”

September 5, 2014 – WQXR: OPERAVORE
Opera review: “Opera As One Explores Gender Change, Identity Struggles”

September 5, 2014 – PARTERRE.COM
Opera review: “outskirts”

September 4, 2014 – WWFM: CADENZA
Opera profile: “As One”

September 4, 2014 – HUFFINGTON POST
Opera profile: “‘As One’ Opera Brings Husband And Wife Stars Together For Heartfelt Transgender Role”

September 3, 2014 – GAY CITY NEWS
Opera profile: “The Voyage to Oneness”

September 2, 2014 – BK LIVE
Opera profile: Video Interview: “As One”

September 2, 2014 – BROOKLYN DAILY
Opera profile: “Husband and wife share role of transgender woman in new opera”

September 2014 – OPERA NEWS
Composer/Opera profile: “Hearing Both Sides”

Composer/Opera profile: “Are Women Different?”

July 17, 2014 – THE ADVOCATE
Opera profile: “Husband and Wife to Share Role in Trans Opera”

July 10, 2014 – WQXR: OPERAVORE
Opera profile: “What to Hear in NYC Opera and Vocal Music”