 |
| Alliance | Piano | 6′ |
| Arbor | Solo Vn. 2 (2nd also Piccolo)-2-2-2, 2-0-0-0, Timpani, Percussion (1 player), Strings | 10′ |
| Arlington Sons | Boy Soprano (or Boy Tenor), Bass-baritone, Violoncello (opt.) and piano | 12′ |
| Arlington Sons | Boy Soprano (or Boy Tenor), Bass-baritone and Orchestra [2222 4200 Perc-1 Hp Stgs] | 12′ |
| Benediction (from Spires) | SATB chorus a capella | 2′ |
| Church Musick (from Spires) | SATB chorus and organ | 2′ |
| Cleanly Wantonness | SATB chorus a capella | 15′ |
| Divina Commedia (from Spires) | SATB chorus a capella | 3′ |
| Field Passage | Flute and Piano | 11′ |
| How Clear (from The House of the Seven Gables) |
Ten. and Pno. | 5′ |
| Psalm 27 (from Spires) | SATB chorus and organ | 3′ |
| Psalm 71 | SATB Chorus a cappella | 7′ |
| Russian Cathedral (from Spires) | SATB chorus and organ | 3′ |
| Song of Moses | SATB Chorus and Organ | 6′ |
| Song of the Rose (from The House of the Seven Gables) |
Sop. and Pno. | 5′ |
| Source | Clarinet and Piano | 20′ |
| Spires | SATB Chorus and organ | 20′ |
| Storm King | Brass Octet: 3 Tpt. 2 Hn. 2 Tbn. Tuba | 20′ |
| The House of the Seven Gables | Opera in 3 Acts | 140′ |
| The Palm at the End | Wind Quintet and Piano | 24′ |
| Why Should He (from The House of the Seven Gables) | Mezzo and Pno. | 5′ |
| You Looked So Tempting in the Pew (from Spires) |
Choir: TB and Organ | 1′ |
