Grammy Nominations

Congratulations to Jake Heggie, Laura Kaminsky, Robert Paterson and Kevin Puts for their Grammy Nominations. The recording of Heggie’s Great Scott (libretto Gene Scheer) was nominated for two awards: Best Contemporary Classical Composition and Producer of the Year (Blanton Alspaugh). Paterson’s Three Way (libretto David Cote) was also nominated for Producer of the Year (Blanton […] Read more »

Robert Paterson receives A.I. Dupont Composer’s Award

Robert Paterson joins a distinguished group of American composers that have received the prestigious A.I. Dupont Composer’s award.  Given for recognition of a composer who has made “a significant contribution to the field of contemporary music” by the Delaware Symphony, the orchestra will perform Paterson’s Dark Mountains on Sept. 28 and 30. “I am humbled […] Read more »

Paterson/Campbell’s THE WHOLE TRUTH

The Whole Truth, a new one-act opera by composer Robert Paterson and librettist Mark Campbell, was premiered in January as part of the exciting wave of new operas that overwhelmed New York City. A sold-out success that garnered uniform praise, it was paired with Stewart Copeland’s one-act opera, The Cask of Amontillado. The Whole Truth is […] Read more »

Paterson’s The Book of Goddesses, Top 10 Favorite Pieces

Classical New England, Boston Who better than NPR to suggest some of the best classical recordings of the year? Classical New England has selected Robert Paterson’s The Book of Goddesses for their list. Here’s the complete list of their picks. You can see more here. Avi Avital, Concerto in D minor, BWV 1052: (I) Allegro […] Read more »